| Alan Stones | instrumental works |
collaborative works |
phonography and soundwalks | current projects |
biography and c.v. |
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| The Analysis of Mixed Electroacoustic Music: Kaija Saariaho’s Verblendungen,a case study |
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| Sound Recordings Used | 1. Kaija Saariaho: Verblendungen, Lichtbogen, Io, Stilleben. Avanti Chamber Orchestra conducted by Jukka-Pekka Saraste. Kultturutalo COncert Hall, Finland, March 1998. Finlandia FACD 374 2. A portrait of Kaija Saariaho. Finnish Radio Symphony Orchestra conducted by Esa-Pekka Salonen. Helsinki, Finland, April 1984. Bis CD 307. 3. Verblendungen: electroacoustic tape material. Cassette copy obtained from Wilhelm Hansen Publishers.
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| Bibliography | Bregman, A.S. Auditory Scene Analysis: The Perceptual Organisation of Sound. Cambridge: MIT press, 1990. Cambell, M. & Greated, C. A Musician’s Guide to Acoustics. Camilleri, L. & Smalley, D. The Analysis of Electroacoustic Music. Camilleri, L. Electro-acoustic Music: Analysis and Listening Processes. Canetti, E. (trans. Wedgewood, C.V.) Auto da Fé. Cogan, R. New Images of Musical Sound. Emmerson, S.The Relation of Language to Materials. Field, A. Undercurrents: Diffusion Score. Fishmann, R. Analysis of Crosstalk, a work by Mike Vaughan. Gervasoni, P. Kaija Saariaho. Helmuth, M. Multidimensional Representation of Electroacoustic Music. Koechlin, O. La musique électroacoustique. [CD-ROM] Lewis, A. Motion and the Analysis of Electro-Acoustic Music: Denis Smalley's Vortex (I). Electro-Acoustic Music, 3 (3). 1983a ¾¾¾¾. Motion and the Analysis of Electro-Acoustic Music: Denis Smalley's Vortex (II). Electro-Acoustic Music, 3 (4). 1983b Macdonald, A. (15th August 2000). Re: Teaching composition. CEC Discuss [Online]. Available e-mail: cecdiscuss@concordia.ca Nieminen, R. Les cahiers de l’IRCAM 6: Kaija Saariaho. Nuorvala, J. (trans. Binham, T.) Kaija Saariaho in Profile I. Roads, C. The Computer Music Tutorial. Saariaho, K. Verblendungen. Saariaho, K. Programme Notes for Verblendungen. Saariaho, K. (trans. Welborn, S.) Timbre and harmony: interpolations of structure. Saariaho, K. Timbre et harmonie Schaeffer, P. A la recherche d’une musique concrète. Schaeffer, P. Traité des objects musicaux. Schreffler, A. Baroque Flutes and Modern: Sound Spectra and Performance Results. Smalley, D. Spectromorphology and the Structuring Process. Smalley, D. Spectromorphology: explaining sound-shapes. Stroppo, M. The Analysis of Electronic Music in Musical Thought at IRCAM. D.Teruggi Le son et sa représentation graphique, critères physiques et symboliques. URL:http://www.ina.fr/Imagina/99/Conferences/Actes_sons_Imagina99/teruggi/papier_teruggi.en.html [3 July 2001], 1999. Waters, S. & Ungvary, T. The Sonogram: A Tool for Visual Documentation of Musical Structure. In: Proceedings of the I.C.M.C., Glasgow, 10-15 September, 1990. Edited by Arnold, S. & Hair, G., I.C.M.C., 1990, pp.159-162. Williams, T. Trevor Wishart's Vox 5. Windsor, L. A Perceptual Approach to the Description and Analysis of Acousmatic Music. Unpublished PhD Thesis. London: City University, 1995. Wishart, T. Sound Symbols and Landscape.
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